Driven by his belief that Lucifer is evil, without any nuance, Father Kinley has only one motivation: to prevent a prophecy from being fulfilled. Season 4, the first after the move to Netflix, takes the story a step further, combining the questions of fate and the good/bad binary in a new villain, Father William Kinley (Graham McTavish). But the season 3 big bad, Cain (Tom Welling), is much less compelling. Their complexity helps challenge Lucifer’s understanding of good and bad - and by extension, of hell and heaven. Neither the Goddess nor Charlotte are cut-and-dried characters. The season 2 arrival of Lucifer’s mother, Charlotte/Goddess (Tricia Helfer), allowed for complexity over the questions of whether she’s a villain, or just a woman betrayed by her husband and sons. But the uneven quality of the villains meant that the show’s effectiveness varied. Lucifer didn’t start building its mythology until seasons 2 and 3, when it delved a little deeper into its core themes of forgiveness and change. The main conflict was whether Chloe would find out that Lucifer was, in fact, the devil, not just some rich guy living out a weird fantasy. Early in the series, the cases Chloe and Lucifer worked on together were almost all human-on-human violence, with no demons or biblical baddies. When it premiered in 2016, it was a police procedural with a side of supernatural intrigue - the story of an angel who rebelled against God and was sent to hell for his crimes, and the mortal female detective who’s immune to his devilish charms.
Lucifer wasn’t always a show about cosmic questions. The answer to whether people can escape what the powers that be intend for them ends up being a firm “maybe.” And while that new answer isn’t as clear-cut, it’s much truer to the spirit of the series, which is to say that nothing about identity and purpose is completely black and white. So when season 5 ends with Lucifer winning a civil war to take God’s place, it suggests God’s plan isn’t set in stone.īut season 6 complicates that perception a little.
If he wanted him in heaven as a God-in-training, he could have very easily made that happen. Woodside) to Earth just to tell Lucifer to return to hell. That ending would have settled the question of fate as totally and completely malleable by completely upending what God originally intended for these characters.
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Thank the devil they did, because season 5 ended with Lucifer becoming God, Chloe becoming his number two in heaven (even though she had a young daughter on Earth who just lost her dad), and Maze (Lesley-ann Brandt), who begins the series as Lucifer’s most loyal demon follower, taking over Hell. “And that was where our concern came from - we felt like we were about to stick the landing and it was, ‘Do we want to jeopardize that?’ But what we realize now is, this is us sticking the landing.”
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“I feel like the legacy of a show is so defined by whether it sticks the landing,” Henderson said in an interview with TV Guide. Lucifer was intended to end with a two-part season 5, but the streaming service ordered another season right as the showrunners were finishing up, prompting the development of an entirely new ending for the series. It was cancelled three seasons later, then saved by Netflix for a season 4. The show, based on original comics by Neil Gaiman, Mike Dringenberg, and Sam Kieth, originally premiered on Fox in 2016 under Tom Kapinos, with co-showrunners Ildy Modrovich and Joe Henderson. The fact that season 6 of Lucifer exists does suggest fate isn’t set in stone. In its surprising and satisfying 10-episode final season, Lucifer returns to attack one of its main running themes: Can fate be altered?
After escaping cancelation twice already, Lucifer has returned for a sixth and final season on Netflix, wrapping up the saga of the devil, Lucifer Morningstar (Tom Ellis), and detective Chloe Decker (Lauren German), the mortal love of his life.
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